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This holiday season marks an exciting milestone for the Kwanzaa Celebration – it is the fifth anniversary since its inception! This performance, produced and directed by Kevin McEwen, has grown into a memorable tradition in New York City over the past five years.

The production was made possible through the collaboration of many organizations and talented individuals. Queensborough Community College, Rhythm N Dance, The Jamaica Center for Arts & Learning and the Kofago Dance Ensemble all worked together to make this event one of a kind.

The show featured African Diasproic dance forms such as Sabar dance from Senegal, Hip-Hop, Modern and Afrobeats. It also included a live drum call led by D’Jembefola Jean Lemke Charlot and Master of Ceremony duties by 1Pablo (Paul Lee) who spoke to the audience about Kwanzaa’s cultural significance.

Kwanzaa Celebration has become a staple in our community, celebrating African Diasporic culture in the beginning of December each year. This year, we had two shows which seemed like the natural evolution of the work we’ve done for the past five years.

On December 9th, 2022, the first annual Kwanzaa Celebration Youth Performance kicked off with a bang, featuring some of the best performing arts groups in the area.

The Phoenix Dance Ensemble from First University Prep in Brooklyn put on an incredible show with their signature choreography by their director, Afaliah Tribune. The Sesame Flyers International Youth Dance Ensemble (under the direction of Acharo Smith and Vuyelwa Thom) from Brooklyn brought their mix of Caribbean rhythms and creative movements to the stage. The Batingua Arts Youth Ensemble, directed by Persephone Dacosta showcased dazzling African and Caribbean dance moves. Infinity Blueprint (directed by Tanasia McCorey) from Long Island provided a much-needed dose of soulful Hip-Hop choreography. And last but certainly not least, the A.R.E.A Collective from Harlem delivered an electrifying performance full of Hip-Hop beats and melodies.

It was truly a sight to behold! Not only did these talented young artists show off their skills, but they also demonstrated how powerful art can be when it brings diverse communities together for a shared purpose. As we celebrate this inaugural Kwanzaa Celebration Youth Performance, let us continue to support our young performers as they strive to reach their highest potentials!

The second show on Sunday, December 11th, was our signature show celebrating our fifth anniversary of our production. Featuring talented dancers from Kofago Dance Ensemble, Queensborough Community College Dance Program, REACH Collective and the Kwanzaa Celebration cast, this performance was truly an occasion to remember!

Every moment of the two hour long show was nothing short of remarkable. From Bakary Fall’s powerful traditional Sabar dances

to Tanasia McCorrey’s innovative hip hop numbers and Mama Taylor’s captivating Lengen routines, each piece brought its own unique flavor to the mix. Even Aicha Konaté’s Afrobeats choreography with the QCC Dance program managed to evoke emotions in all who experienced it.

From my position as the producer and director of the show, it was clear that each choreographer took great care in crafting their pieces for this special event – from artistic vision to technical execution. The entire performance flowed seamlessly from start to finish, providing an exciting show full of energy and passion.

This year’s Kwanzaa Celebration 2022 was both an inspiring cultural display and a world-class performance – an unforgettable experience that will linger in our memories for years to come!

2022 is here! We’re are now two years in with having to deal with a pandemic that has truly changed the way we all live and interact with each other. COVID has taken a lot out of me, as it would many people. COVID is so much more than just a virus. COVID has crushed the notion of freedom to connect and commune with others in many ways, especially within dance communities. I am not sure where we go from here.

For four years straight, I produce and direct a production entitled the Kwanzaa Celebration. On Saturday December 11th, Kofago Dance Ensemble, the Jamaica Center for Arts and Learning and Queensborough Community College presented Kwanzaa Celebration 2021: The Legacy Continues. Honoring the fifty-two year long tradition of Kwanzaa, Kofago Dance Ensemble and Queensborough Community College pulled together a performance that pays homage to this beautiful holiday. we even got coverage of our event from Channel 2, CBS News, which was truly appreciated. After everything was done, I couldn’t wait to take a much needed vacation to clear my mind and take a break from what was a truly strenuous year.

Unfortunately, that never happened. The Omicron variant had other plans. Flights were cancelled due to people getting sick in such large numbers. Lines for COVID testing were now hours long instead of the walk-ins we were used to just some weeks ago. Everything started to trend in the wrong direction.

COVID has truly taken so much from us. It seems that every day we lose something else; our sense of normalcy, our freedom to congregate and celebrate as we please, and sometimes even our lives.

I am tired. I hope that 2022 will bring some healing and a better outlook on the future but who knows what COVID will take from us next.

My hope is that my local community gets more proactive about delaing with this pandemic. There’s way too many people out here who are not vaccinated. I’m literally seeing people in my community lose their lives to this virus. Knowinfg that they could’ve been vaccinated and they chose not to is very concerning. In anideal situation, I would love for COVID to take a break and let me enjoy travelling again, but the pandemic seems to have other plans for now. I just have to accept it and keep going on with my life as best as I can until COVID decides that maybe 2022 is the year we all get our lives back.

 

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Kwanzaa Reflection

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This article was originally posted on Queensborough Community Colleges website by Nicole McClaim. Click here for the original article.

On Sunday, December 9, Queensborough Community College’s Dance Program presented its first Kwanzaa Celebration. Produced and directed by Adjunct Faculty Kevin McEwen, this program proposed to celebrate the dance students in QCC and our extended community through dance and music.

The concert consisted of seven dance works featuring performances by the QCC Dance Majors, Bautinga Arts, the Kofago Dance Ensemble, the Gloria Eve School of the Arts, and the Nu Gamma Psi Step Squad. The show began with a YouTube video, “The Story of Kwanzaa: From Civil Rights to Corporate America” by Now. Playing this video provided the audience with the history and context of Kwanzaa. Developed by Maulana Karenga in the 1960s, Kwanzaa was an “opportunity to restore unity in black communities” disrupted by riots and tensions between black communities and law enforcement (Butler). It is an African American and Pan-African holiday which celebrates family, community, and culture. Celebrated between Christmas and New Year’s, Kwanzaa takes its name from the language of Swahili and refers to an African harvest celebration (McEwen). Each day of Kwanzaa represents a different principle: unity, self-determination, collective work and responsibility, cooperative economics, purpose, creativity, and faith. The two dance works in the first half of the show featured West African dance with live drumming as though to show Kwanzaa’s African roots through dance.

A medley of dances displaying the African diaspora was the theme of the second half of the show. From step to Afro-Caribbean to contemporary dance, the dances invited the audience to remember our history, to lean on our ancestors, and to celebrate the resilience and adaptability of a people who retained their identity in the face of slavery, Jim Crow, and racism. The second act closes with a finale choreographed by Mr. McEwen and featuring dancers from the QCC Dance Program, Kofago Dance Ensemble, and Bautinga Arts with live drumming. This finale titled Mandiani, which is an initiation celebration dance done by the Mandingo People of Senegal, West Africa (African Heritage Dancers and Drummers), ended the show on an energetic note and reinforced the idea Mr. McEwen stated at the beginning of the show: Kwanzaa is a celebration of the local and extended community.

In his closing speech, Mr. McEwen invited the audience to get out of their respective bubbles and engage with the community around them, especially in academia -the show took place on a college campus. Often the institution isolates itself from its immediate physical and geographical community and prioritizes the intellectual community. Mr. McEwen exemplified that interconnectedness he invited the audience to engage with; he shared that as a teacher, colleague, and student he had a direct connection to every group that performed that evening.

The Kwanzaa Celebration took the audience on a journey from global to local to personal and back out into the community in a multi-sensory experience that appealed to a broad audience. As an experience it lasted long after the dancers and drummers took their final bows. Many of my students in class the next day commented on how much they enjoyed the performance and how they look forward to next year’s production. My eight-year-old daughter sat riveted in her seat for the entire performance, whooping and cheering the dancers on, and immediately wanting to dance once the show ended. It is an auspicious beginning to a tradition that I hope will grow deep roots so that it lives beyond its creator.

“African Heritage Dancers & Drummers Teachers Program Guide -The Dances.” 2002.

Butler, Jennie. “The Story of Kwanzaa: From Civil Rights to Corporate America.” YouTube, 26 Dec. 2016.

McEwen, Kevin. “Kwanzaa Celebration.” Queensborough Community College Dance Program, Department of Health, Physical Education and Dance, 9 Dec. 2018.

– Nicole McClaim

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